Artist Dan McPharlin made these tiny synthesizers between 2006 and 2009, hand-made from framing matte-boards, paper, plastic sheeting, string and rubber bands. They are insanely cute and look like candy. His Flickr page has all of them together. I could eat them all up.
… and Roger Powell came to town for a music educator’s conference. I’m the idiot looking at the lens.
I went to see this thing every day after school. Roger invited me to come to the factory to solder, but my dad would have none of it.
I know of a couple of local Detroit guys who are making Eurorack modules and their stuff is nothing short of Cooler Than Shit.
Ben Davis and Nico Raftis are Macro Machines, and their catalog so far treads new territory for modular synthesizers.
The first two modules, the Storage Strip “sends binary messages along the CV bus to compatible modules telling them to store current settings into a memory slot, or recall them back at the press of a button, or even sequence through them at the burst of a clock pulse.” It’s brother module, Dynamic Destiny is a dual 4:1 (bidirectional) switch.
Watch and want.
My advice to you is… STOP! Run away while you still can.
I caught the synthesizer bug again, after 40 years. My ARP had been sitting under the stairs for a solid 30 years and I thought I’d get it back up and running. It was useless in its current state: transformers had gone bad, capacitors had gone bad, sliders were dirty and it needed to be tuned very badly. I found a guy mentioned to me on Reddit who was local and could bring her back to life.
While that was happening, I thought it would be a good time to get more stuff so I could play two voices at the same time. Fortunately (or not), there’s a Eurorack vendor in town who could sate my desire, Detroit Modular. I picked out a Pittsburgh Modular Move 104 case and an oscillator, ADSR, VCA and VCF and thought that would be that. But it wasn’t.
Here’s some advice if you’re considering getting into modular synthesizers.
Step 1) Join Muff Wiggler. This is the ultimate synthesizer community. Discuss, buy, sell, trade, learn. Leave a bunch of meaningful messages and reply frequently because rewards happen when you’ve reached 100 posts.
Step 2) Decide on a format. The format will determine, ultimately, how much money you will spend.
Look at this chart from synthesizers.com.
That’s 25 possible formats, officially, not to mention the DIY crowd, that just makes their own as they go along.
The format you choose will determine how much money you will spend.
For example, Buchla gear is VERY VERY expensive.
You’re looking at about $40,000 worth of Buchla there. And Moog ain’t so cheap either.
That System 35 (newly reintroduced) is $22,000 and it’s not even the BIG one.
So, I went with Eurorack. It’s smaller, MUCH cheaper and there are a lot of modules of a great variety available.
Step 3) Pick a case.
Not only that, pick a case that’s bigger than you intend it to be initially. You will buy more modules later, and you want a place to put them. Note that there are two kinds of cases or racks.
One very important note: A skiff will limit you to what are “skiff-friendly” modules: shallow, like 2 inches deep. Many of the cooler, more capable modules are quite deep and I had to get a case to hold my first deep module, a Tip Top Z5000 Reverb, which would not fit in my Move 104 case. Remember that. If in doubt, get a Doepfer case, which handles deep modules and is relatively cheap.
Step 4) Join Modular Grid. This website let’s you pick a virtual case and arrange potential modules and experiment with layouts.
Step 5) Decide what you want to do with your new synthesizer. Do you want to make noise, self-playing patches, perform, record, or all the above?
Step 6) Buy some modules. You’ll need sound makers (oscillators, noise generators), sound modifiers (filters, waveshapers, ring modulators), controllers (keyboard, joystick, optical controller, MIDI interface), transient generators (envelope generators and low-frequency oscillators), cables, cables and more cables (so you can connect all these pretty things). Optionally, you’ll want amps, speakers and a means to record all this stuff.
So, I buy gear from retailers and manufacturers, Muff Wigglers, Ebay. There are some great bargains to be had on MW and Ebay from people looking to break the synth habit, or upgrade or downsize. All the manufacturers with whom I’ve done business are great and helpful. You could also build your own gear if you have the patience.
Please note that this whole thing is quite incompatible with most girlfriends and wives. Better you should know now.
And sounds amazing.